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Catalyst for change: on the Hema Committee report and Malayalam film industry

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At different points of time, come events that have the potential to shape the future. Whether these catalysts fulfil that potential to the fullest extent or not is in the hands of the people in their vortex. The Justice K. Hema Committee report that studied the issues faced by women in cinema, could well be one such catalyst. The three-member committee was constituted in 2017, based on a petition submitted by the Kerala-based Women in Cinema Collective, and submitted its report two years later. It was released last week, several paragraphs redacted, and contains unsurprising and yet disturbing revelations about the state of affairs in the film industry — discrimination, exploitation and sexual harassment of women. The term ‘casting couch’, hatched in Hollywood, has become repugnantly accepted as a euphemism for sexual favours in exchange for a role in films. Justice Hema points out that making the exchange of sexual favours the passkey for entry into the field itself, and normalising it and conflating it with consensual sexual activity, makes the industry inherently exploitative. The report deals also with other inequities that disadvantage women in the industry, including the lack of essential facilities such as toilets, changing rooms, safe transportation, and accommodation at the shooting spot which are violative of the right to privacy; and discrimination in remuneration, and a lack of binding contractual agreements. These affect the range of women across the industry — actors, technicians, make-up artists, dancers, support staff, and particularly so, women lower in the pecking order.

The way ahead is not as murky as the hole that the film industry, here Malayalam, seems to find itself in. The government has decided to constitute a special investigation team to go into the accusations of harassment. While the government would do well to ignore the committee’s recommendation on doing away with internal complaints committees for each film project, it must act on suggestions that call for provision of essential facilities and for structural reforms within the film industry, including professionalising it. Nothing will change unless the state gets involved meaningfully in creating an equitable work space for men and women, in an industry dominated by people with great power and money, who have so far refuted the existence of such a power cartel or have remained silent. Each of the issues raised must be taken cognisance of, and acted upon. As with the #MeToo movement, Justice Hema’s report has the potential of being a catalyst to enable scores of women to speak up. It behoves the state to ensure that their complaints are not ignored, or worse still, used against them.

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